

The album features 15 tracks, with songs taken from all five of their studio albums. This boiling down makes ‘Inni’ a forceful and primal proposition, much at odds with the popular misconception of the band as purveyors of emotional heft for film-makers and television programmers in need. The performance captures the band playing as a stripped down four-piece for the first time since they were joined by string section Amiina at the start of the decade. Mixed by Sigur Rós house engineer Birgir Jón Birgisson, ‘Inni’ the album stands as the definitive Sigur Rós live recording to stand against the welter of bootlegs available across the web. The double live album by contrast, covers the entire Sigur Rós spectrum over its hour-and-three-quarters duration, played in the same order as on the night. It’s worth mentioning also that the film has only one song in common with ’Heima’ (the closing ‘Popplagid’) and that it draws for the most part on the darker end of the band’s material.
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The film was then meticulously pieced together by ‘Heima’ editor Nick Fenton, who chose to break up the flow with unexplained archive footage, including interview and concert material from before the band’s exposure to the wider world at the tail end of the last century. Originally filmed on HD digital, ‘Inni’ was first transferred to 16mm film and then projected and re-filmed, again on 16mm, sometimes through glass and other objects to give a strong impressionistic look, a feat accomplished with the help of Godspeed You Black Emperor’s live visual collaborator Karl Lemieux. By almost entirely removing the crowd and any sense of place, Morisset brings you closer than ever to the players, using multiple camera angles to reveal in sometimes minute close up the concentration and effort involved in delivering such a powerful rock show. Unlike many concerts, watching Sigur Rós is seldom a communal experience it is instead almost claustrophobically inward looking and intense. In order to accomplish this goal, Morisset has taken his time and employed a number of different analogue post-production techniques to create an emotional understanding of being inside the room and going ‘inside’ the music. For a while ‘Heima’ was successful at “explaining” Sigur Rós, it was less so at communicating what it actually feels like to “watch’ Sigur Rós perform. Where ‘Heima’ was widescreen and open, ‘Inni’ is close and single focussed. Whereas that film took a band about whom the world knew little, and placed them in the cultural, social and geographical context of their homeland (with winning and humanising results), ‘Inni’ strips away everything save the raw performance of the four musicians themselves.
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In fact, it’s both: a 75-minute film and 105-minute double live album of the band captured in full flow at the close of their last tour in November 2008, here housed in one single package.įilmed at London’s Alexandra Palace over two nights by director Vincent Morisset (Arcade Fire’s ‘Miroir Noir’), the film ‘Inni’ would best be described as the anti-‘Heima’. ‘Inni’ could be described as either the first-ever Sigur Rós live album, or second live film (the follow up to 2007’s acclaimed Iceland tour film ‘Heima’). It will be released on the band’s own Krunk imprint in all territories around the world except American and Japan where it will be released on XL and Hostess respectively. The standard deviation for this album is 15.6.Sigur Rós will self-release their ambitious new live album and film ‘Inni’ on 7th November. This album has a Bayesian average rating of 86.1/100, a mean average of 84.8/100, and a trimmed mean (excluding outliers) of 86.2/100. This album is rated in the top 1% of all albums on. (*In practice, some albums can have several thousand ratings) The second average might be more trusted because there is more consensus around a particular rating (a lower deviation). However, ratings of 55, 50 & 45 could also result in the same average.

Consider a simplified example* of an item receiving ratings of 100, 50, & 0. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. This figure is provided as the trimmed mean. Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. You can include this album in your own chart from the My Charts page! Ágætis Byrjun collection

Total Charts: The total number of charts that this album has appeared in. Keep an open mind and you shall be rewarded and suprised. Sigur Ros is a band that pours heaps of feeling into what they play and are actually true musicians who love what theyre doing. Some complaints are it sounds too repetitive or boring. Latest 20 charts that this album appears in: Sort ranks But Overall, the album should be appreciated as a whole more then an individual song.
